We will spend a considerable amount of time thinking about where ideas come from, how we can develop ideas, and the role of creative collaboration in television writing. We will focus on generating compelling subjects, scripting and storyboarding, casting and location scouting, and all of the work that goes into creating engaging images in front of a camera. Taught in English. Film has emerged in the last 100 years as a global phenomenon with broad social, cultural, and commercial implications. The red doors on campus are a Lutheran sign for welcome! No more than 4 courses from any single department or major (other than FLM) can count toward the film major. FLM 349 Film Reviewing This writing-intensive course focuses on the art of reviewing films for both popular and scholarly outlets. Publications . Attendance at weekly screenings is required.Meets general academic requirement HU. Attendance at weekly screenings is required.Meets general academic requirement W. FLM 354 Film Noir Dark shadows, low-key lighting, unusual camera angles, flashbacks, a sense of paranoia, and males manipulated by sultry, cigarette-smoking, seductive femme fatales characterize film noir, the only typically American film genre after the Western to emerge from Hollywood. Students will prepare character profiles, treatments, and at least one screenplay. FLM 450 CUE: Film Studies Seminar Advanced study and analysis of selected areas in film studies designed for majors and other qualified students. Writers will comment on each otherâs work in a workshop setting. ENG 255 Literature and Film This course examines the relationship between novels and plays and their film-adaptations, concentrating on the different ways in which we read and interpret these narrative forms. We will consider the role of popular film in the development of Indian nationhood, its influence on notions of gender and caste, and its function as a binding influence on the Indian Diaspora. FLM 281 Indiewood, USAThis course explores the movement to develop and sustain a low-budget, risk-taking, reality-based strain of independent film production in America as an alternative to the dominance of commercially-driven Hollywood product and production standards. The student-run Muhlenberg Film Association screens two films a semester for the campus community, often outdoors on the College Green. Meets general academic requirement HU and DE. FLM 325 French New Wave Cinema This course explores the very rich period in French Cinema during the 1950s and 1960s that is known as the French New Wave (La Nouvelle Vague). Attendance at weekly screenings is required.Meets general academic requirement DE. Using material drawn from the professional world, students will work in a variety of on-camera genres. Disclaimer: It is presumed that all students enrolled in this film studies course are familiar with Tarantinoâs films. Der amtierende Rektor war André de Gouveia. At Muhlenberg. Attendance at weekly screenings is required.Meets general academic requirement DE and HU. To declare and be retained as a film studies major, a student must maintain a 2.00 grade point average based on all the courses required for the major. Film Studies and Media & Communication. Muhlenberg College offers 64 distinct undergraduate degrees, concentrated into 45 majors within 17 broad fields of study. FLM 336 African American Cinema This course surveys African American filmmaking from the silent ear to the present, along with a few films that represent the broader African Diaspora. The electives can come from any of the courses in the categories “Production”, “National and Regional Cinemas” and “Genres, Forms, and Movements” or from the following courses: FLM 202, 204 - Film History II: 1950-Present, COM 367 - Studio Workshop in Television & Film, ENG 364 - Advanced Screenwriting Workshop, ENG 263, 264 - Postwar British Theatre & Film, FLM 332 - Film Cultures of North Africa & the Middle East, FLM 334 - Bollywood: Indian Popular Cinema, FLM 229 - Travel & Cultural Encounters in Film, FLM 970 - Film Studies Independent Study/Research, Print Degree Planner (opens a new window), The Wescoe School of Continuing Education, Acalog™ Academic Catalog Management System™ (ACMS™). Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution.
Conceiving, coordinating, shooting, and editing the project, production teams will encounter real-time pressure and problem-solving situations.Required lab.Prerequisite(s):COM 251 - Introduction to Moviemaking. Across all areas of study, Muhlenberg College awarded 734 undergraduate degrees in 2018 - 2019 . In addition, Muhlenberg has established exchange opportunities in Europe and in Japan. Maps & Directions; Accessibility; Library; Title IX; Conference & Event Services; A-Z Index; Social Facebook Instagram Twitter YouTube LinkedIn © 2019 Muhlenberg College. ), Kelly Reichardt (Wendy & Lucy), and Richard Linklater (Waking Life). Films explored in this course will likely include Bad Education (Spain), Amores Perros (Mexico), Code Unknown (Austria/France), Chunkging Express (Hong Kong/China), The World (China), A Separation (Iran), Once Upon a Time in Anatolia (Turkey), The Best of Youth (Italy), Waltz with Bashir (Israel), The Class (France), and District 9 (South Africa), among others. We will focus on Reservoir Dogs, Pulp Fiction, Jackie Brown, the two-part Kill Bill, Inglourious Basterds, and Django Unchained as well as some of the many disparate films that influenced him. Through their research-production projects, students learn to work with more advanced visual and organizational concepts and tools. Muhlenberg College 2400 Chew St. Allentown, PA 18104 484-664-3100. FLM 227 Melodrama âMelodramaâ does not just mean exaggerated emotion; it is a form of popular storytelling that puts its characters in dramatic situations in which the stakes are nothing less than the victory of good over evil. Attendance at weekly screenings is required. Provides hands-on experience beginning with the development of a professional project, treatment, script, and storyboard. It was named for Henry Melchior Muhlenberg, who established the German Lutheran faith in the United States in the 18th century. In addition, readings put all the films in the context of theoretical discussions concerning what constitutes âblack,â âAfrican,â or âThird Cinema,â politically and aesthetically. Muhlenberg College ist ein US-amerikanisches Privat-College, das 1848 gegründet wurde. Created during the 1940s and 50s, many by Jewish Ã©migrÃ©s from Central Europe, film noir is usually considered a combination of German Expressionist cinematic style and the American hard-boiled detective story. Sie wird erst wieder 1n 2022 veranstaltet. FLM 388 Video JournalismAs journalism evolves, more media outlets rely on documentary principles to convey their message: strong, character-driven stories; compelling visuals; dynamic sound-image relationships. Playwrights may include John Osborne, Arnold Wesker, Ann Jellicoe, Harold Pinter, Joe Orton, Edward Bond, and Shelagh Delaney. Die Leitmesse für Denkmalpflege 2020 'denkmal' in Leipzig ist abgesagt! Neuerwerbungen im Juni 2010 Universität Heidelberg Alle Institute. Approximately 85% of faculty have a Ph.D or other terminal degree in their respective fields. Professors: Birgel, Cartelli, Coppa, McEwan, Tafler
Trexler Library has many online resources available through the library website. The film studies program at Muhlenberg offers a rigorous interdisciplinary experience that helps students understand both the technical and expressive components of the cinematic medium and gain practical experience in film production within the framework of a liberal arts education. As the course proceeds chronologically, it briefly demonstrates images of African Americans in mainstream Hollywood films, but focuses primarily on how filmmakers of African descent have sought to respond to mainstream representations and create their own narratives and styles. Students will be exposed to many different forms and genres of film, including classic Hollywood cinema, but also documentary, independent, and experimental film along with the rich traditions of world cinema. FLM 387 Art of Video EditingWhile editing was historically seen as merely a nuts-and-bolts technical pursuit, it has increasingly proven indispensable to the artistic process. Muhlenberg College is a private liberal arts college affiliated to the Evangelical Lutheran Church. See the most popular majors at Muhlenberg College. Screenings will include Happy Together, by acclaimed Chinese filmmaker Wong Kar-Wai, Fire, a lesbian love story by the Indian-Canadian director Deepa Mehta, French filmmaker CÃ©line Sciammaâs coming-of-age tale featuring a gender non-conforming protagonist, Tomboy, and many more. Muhlenburg College. Students will explore the art of editing through hands-on exercises using Adobe Premiere Pro. From other films we will only have time to watch excerpts, and you will probably be required to watch two or three films outside of classâmore details regarding out-of-class screenings will follow. FLM 385 Cinema of New EuropeThis course examines films that emerged in the ânew Europeâ after the fall of the Berlin wall in 1989, in the wake of the expansion of the European Union in the 1990s, and as a consequence of the mixing and mingling of Eastern and Western Europeans, and of immigrants from Asia, Africa, and the Caribbean, which has radically altered the ethnic composition of most European societies, particularly France. Students present ongoing work and final projects in either an online or broadcast venue. Meets general academic requirement DE. Film Studies. Short Term Study Abroad Muhlenberg Integrated Learning Abroad FLM 389 Writing The TV Spec ScriptWriters seeking work in the television industry generally complete a "spec script," a complete script for an episode of a program that already exists. Search. The overlapping Film Studies, Media & Communication, and Documentary Storymaking programs at Muhlenberg have 16 full-time faculty, making us the largest liberal arts film and media programs in the United States – with more extensive offerings than many large universities. Program Director: Dr. Amy Corbin, Associate Professor of Media & Communication and Film Studies
List of Muhlenberg College majors by size and degree. Film Studies; Allentown, United States; Advertisement. The production component of the curriculum gives every student the opportunity for hands-on experience in filmmaking and allows motivated students to pursue additional work in screenwriting, acting and directing, and advanced video production. FLM 382 Global Queer CinemaThis course introduces students to a range of contemporary queer cinema from across the globe as well as key questions in queer film studies. Director of Film Studies Associate Professor of Film Studies and Media & Communication B.A., College of William and Mary M.A., University of California, Berkeley Ph. Meets general academic requirement HU (and W when offered as 239). FLM 202, 204 Film History II: 1950-Present An exploration of the international history of film from the end of the War through important European developments (the French New Wave, Italian Neo-Realism, and New German Cinema) and dramatic changes in production and viewing in the United States (through the Sixties and Seventies) to recent emergence of national and regional cinemas in countries all over the world. Pre-requisite: COM 351, Video Production. Assistant Professor: Bazaz. The course examines the history and innovation of community television in the United States and overseas. Writers will comment on each otherâs work in a workshop setting. Students will both direct and act in this course, but no previous directing or acting experience is required. Open to all students at all levels. The course will attend closely to the variety of decisions that inform the translation of literary works into a different medium with different conventions for a different audience.Meets general academic requirement HU. Multimedia and interdisciplinary projects involving theatre, art, dance, and music will be welcome. We will then trace the emergence of John Osborne and other "Angry Young Men," and the development of a drama overtly engaged with issues of class, gender, and sexuality. Attendance at weekly screenings is required. Required Monday evening screenings. Meets general academic requirement HU (and W when offered as 317). We will begin by examining the cultural and social influences leading up to the "annus mirabilis" of 1956. In addition to screening and exploring some of the best such films produced over the course of 50 years, this course attends closely to the struggle of some of the more successful independent filmmakers (and actors) to maintain their commitment to alternative practices in the face of the seductions of Hollywood, on the one hand, and formal conventions fostered by organizations like the Sundance Film Festival & … Though a close analysis of these films, the student will gain an understanding and appreciation of cinematic techniques as well as the cultural, social and political background which shaped these works. 358. Traces the history of film and video art from the early 1920s to the present focusing on its structural evolution, thematic shifts, coexistence with commercial cinema, and its impact on contemporary media.Meets general academic requirement HU. The course also considers as a sub-theme the âroad movieâ in American culture and what it says about the relationship of dominant American culture to the land and the indigenous inhabitants. Analytical viewing assignments from each of the genres explored will be required. Gefällt 12.426 Mal. Genres that may be taught include commercials, daytime, primetime (sitcom and drama), and film. FLM 330 New Asian Cinemas This course will selectively explore the national cinemas of Japan, China, Taiwan, India, and Korea. Projects 1. The cultural encounters depicted include those in colonial Africa, India, and the Americas, as well as post-colonial encounters in new relationship configurations such as migration and tourism. Faculty regularly arrange special screenings, often accompanied by visiting filmmakers. The Paul McHale Collection This collection documents the congressional work of Paul McHale (1950-), U.S. Representative for Pennsylvania's 15th district from 1993-1998. Publications 12. Films are likely to include Billy Liar, The Loneliness of the Long Distance Runner, Alfie, Tom Jones, The Servant, The Knack and How To Get It, and A Hard Day's Night. In addition,no more than 2 courses from any single department or major (other than FLM) can count toward the film … Spearheaded by a group of young directors who also wrote their own screenplays (Truffaut, Godard, Malle, Chabrol, Resnais, among others), this movement gave rise to "Le cinema dâauteur" as an innovative and influential way to produce films. Students will create an online archive of all finished work, and learn about ways to develop and market their own critical voice. Muhlenberg College. Students will write reviews of classic and contemporary films in a variety of lengths and formats, for different intended audiences. Students will develop an understanding of the grammar, vocabulary, and conventions of film and video production, and the factors that shape viewersâ reception.Meets general academic requirement HU. We will also consider how these topics are illus trated throughmelodramaâs aesthetics, such as music, dramatic editing, and symbolic use of setting. A program for Media & Communication and Film Studies majors in Dublin, Ireland, and a Dance program in Arezzo, Italy, are both offered during the spring semester. Stand: 01.07.2010, 07:52 -- Zahl der Neuerwerbungen: 3436 In addition to studying a canon of plays and films, this course will also engage (and contrast) textual, performance-based, and image-based methodologies, and students will be asked to demonstrate proficiency in all three theoretical approaches. This course also surveys new East Asian cinema â for example, Wong Kar-waiâs In the Mood for Love (Hong Kong/China) Hou Hsiao-hsienâs City of Sadness (China), Edward Yangâs Yi Yi (Taiwan), Im Kwon Taekâs Chunhyang, and Takeshi Kitanoâs Fireworks (Japan) â and one or two films from India (Mira Nairâs Salaam Bombay and a selected Bollywood extravaganza.) Directors whose work will be screened and discussed will likely include Mathieu Kassovitz (La Haine), Michael Haneke (CachÃ©), Claire Denis (I Canât Sleep), Wim Wenders (Lisbon Story), Fatih Akin (Edge of Heaven), and Lars von Trier (Zentropa), among others. The course proceeds chronologically from 1915 through the present. 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