We will spend a considerable amount of time thinking about where ideas come from, how we can develop ideas, and the role of creative collaboration in television writing. We will focus on generating compelling subjects, scripting and storyboarding, casting and location scouting, and all of the work that goes into creating engaging images in front of a camera. Taught in English. Film has emerged in the last 100 years as a global phenomenon with broad social, cultural, and commercial implications. The red doors on campus are a Lutheran sign for welcome! No more than 4 courses from any single department or major (other than FLM) can count toward the film major. FLM 349 Film Reviewing This writing-intensive course focuses on the art of reviewing films for both popular and scholarly outlets. Publications . Attendance at weekly screenings is required.Meets general academic requirement HU. Attendance at weekly screenings is required.Meets general academic requirement W. FLM 354 Film Noir Dark shadows, low-key lighting, unusual camera angles, flashbacks, a sense of paranoia, and males manipulated by sultry, cigarette-smoking, seductive femme fatales characterize film noir, the only typically American film genre after the Western to emerge from Hollywood. Students will prepare character profiles, treatments, and at least one screenplay. FLM 450 CUE: Film Studies Seminar  Advanced study and analysis of selected areas in film studies designed for majors and other qualified students. Writers will comment on each other’s work in a workshop setting. ENG 255 Literature and Film  This course examines the relationship between novels and plays and their film-adaptations, concentrating on the different ways in which we read and interpret these narrative forms. We will consider the role of popular film in the development of Indian nationhood, its influence on notions of gender and caste, and its function as a binding influence on the Indian Diaspora. FLM 281 Indiewood, USAThis course explores the movement to develop and sustain a low-budget, risk-taking, reality-based strain of independent film production in America as an alternative to the dominance of commercially-driven Hollywood product and production standards. The student-run Muhlenberg Film Association screens two films a semester for the campus community, often outdoors on the College Green. Meets general academic requirement HU and DE. FLM 325 French New Wave Cinema This course explores the very rich period in French Cinema during the 1950s and 1960s that is known as the French New Wave (La Nouvelle Vague). Attendance at weekly screenings is required.Meets general academic requirement DE. Using material drawn from the professional world, students will work in a variety of on-camera genres. Disclaimer: It is presumed that all students enrolled in this film studies course are familiar with Tarantino’s films. Der amtierende Rektor war André de Gouveia. At Muhlenberg. Attendance at weekly screenings is required.Meets general academic requirement DE and HU. To declare and be retained as a film studies major, a student must maintain a 2.00 grade point average based on all the courses required for the major. Film Studies and Media & Communication. Muhlenberg College offers 64 distinct undergraduate degrees, concentrated into 45 majors within 17 broad fields of study. FLM 336 African American Cinema This course surveys African American filmmaking from the silent ear to the present, along with a few films that represent the broader African Diaspora. The electives can come from any of the courses in the categories “Production”, “National and Regional Cinemas” and “Genres, Forms, and Movements” or from the following courses: FLM 202, 204 - Film History II: 1950-Present, COM 367 - Studio Workshop in Television & Film, ENG 364 - Advanced Screenwriting Workshop, ENG 263, 264 - Postwar British Theatre & Film, FLM 332 - Film Cultures of North Africa & the Middle East, FLM 334 - Bollywood: Indian Popular Cinema, FLM 229 - Travel & Cultural Encounters in Film, FLM 970 - Film Studies Independent Study/Research, Print Degree Planner (opens a new window), The Wescoe School of Continuing Education, Acalog™ Academic Catalog Management System™ (ACMS™). Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution. Conceiving, coordinating, shooting, and editing the project, production teams will encounter real-time pressure and problem-solving situations.Required lab.Prerequisite(s):COM 251 - Introduction to Moviemaking. Across all areas of study, Muhlenberg College awarded 734 undergraduate degrees in 2018 - 2019 . In addition, Muhlenberg has established exchange opportunities in Europe and in Japan. Maps & Directions; Accessibility; Library; Title IX; Conference & Event Services; A-Z Index; Social  Facebook  Instagram  Twitter  YouTube  LinkedIn © 2019 Muhlenberg College. ), Kelly Reichardt (Wendy & Lucy), and Richard Linklater (Waking Life). Films explored in this course will likely include Bad Education (Spain), Amores Perros (Mexico), Code Unknown (Austria/France), Chunkging Express (Hong Kong/China), The World (China), A Separation (Iran), Once Upon a Time in Anatolia (Turkey), The Best of Youth (Italy), Waltz with Bashir (Israel), The Class (France), and District 9 (South Africa), among others. We will focus on Reservoir Dogs, Pulp Fiction, Jackie Brown, the two-part Kill Bill, Inglourious Basterds, and Django Unchained as well as some of the many disparate films that influenced him. Through their research-production projects, students learn to work with more advanced visual and organizational concepts and tools.  Muhlenberg College 2400 Chew St.  Allentown, PA 18104   484-664-3100. FLM 227 Melodrama “Melodrama” does not just mean exaggerated emotion; it is a form of popular storytelling that puts its characters in dramatic situations in which the stakes are nothing less than the victory of good over evil. Attendance at weekly screenings is required. Provides hands-on experience beginning with the development of a professional project, treatment, script, and storyboard. It was named for Henry Melchior Muhlenberg, who established the German Lutheran faith in the United States in the 18th century. In addition, readings put all the films in the context of theoretical discussions concerning what constitutes “black,” “African,” or “Third Cinema,” politically and aesthetically. Muhlenberg College ist ein US-amerikanisches Privat-College, das 1848 gegründet wurde. Created during the 1940s and 50s, many by Jewish émigrés from Central Europe, film noir is usually considered a combination of German Expressionist cinematic style and the American hard-boiled detective story. Sie wird erst wieder 1n 2022 veranstaltet. FLM 388 Video JournalismAs journalism evolves, more media outlets rely on documentary principles to convey their message: strong, character-driven stories; compelling visuals; dynamic sound-image relationships. Playwrights may include John Osborne, Arnold Wesker, Ann Jellicoe, Harold Pinter, Joe Orton, Edward Bond, and Shelagh Delaney. Die Leitmesse für Denkmalpflege 2020 'denkmal' in Leipzig ist abgesagt! Neuerwerbungen im Juni 2010 Universität Heidelberg Alle Institute. Approximately 85% of faculty have a Ph.D or other terminal degree in their respective fields. Professors:  Birgel, Cartelli, Coppa, McEwan, Tafler The emphasis is on narrative films, with some attention to experimental films. ENG 321 Shakespeare Reproduced  This course primarily focuses on the reproduction of Shakespeare's plays on film and, to a lesser extent, the appropriation of Shakespeare's plays by modern playwrights. Open to students at all levels. This marvelous collection, gifted to Muhlenberg College in 1991, contains more than 31,000 pieces of American popular music published between 1900-1965. Attendance at weekly film screenings is requiredMeets general academic requirement DE and HU. This course examines the world’s largest film industry with the aim of understanding the place of popular cinema outside of the Hollywood model. American Studies at Muhlenberg offers students the opportunity to study the culture and history of the United States from an interdisciplinary perspective. Attendance at weekly screenings is required.Meets general academic requirement HU. COM 251 Introduction to Moviemaking Introduces basic concepts of time-based visual media with an emphasis on the perception and experience of moving images, kinesics, and the structure and aesthetics of cinematic language. Prerequisite: THR 251 Acting II: Scene Study. Attendance at weekly screenings is required.Meets general academic requirement DE. Video journalists in this course will partner with writers in Intro to Long-Form Journalism to research and produce multi-media stories about issues pertinent in the Lehigh Valley. GRM 316, 317 German Cinema A survey of German films from The Cabinet of Dr. Caligari to Contemporary works with special emphasis on the Golden Age of Weimar cinema and the so-called New German Cinema (Fassbinder, Herzog, Wenders, Sanders-Brahms and less well known directors.) The program’s goal is for all students of the discipline to extend the range and quality of their viewing experiences and to become better informed interpreters of the ways in which film both shapes and represents the world around them. Class time will be divided equally between shooting and viewing, and students are expected to engage critically with both their own work and their classmates. Plays and films on which we will focus in the next several years include Heiner Muller's "Hamletmachine", Julie Taynor's "Titus", Michael Almereyda's "Hamlet", and Kristian Levring's "The King is Alive".Prerequisite(s): THR 100 Theatre & Society: An Historical Introduction or any 200 level ENG course or permission of instructor.Meets general academic requirement W when offered as 322. Numerous theoretical approaches will be used to study the rise and fall of the Western’s popularity, its role in shaping popular myths about the United States, and its representation of masculine identity. Focusing on production tools and skills, class workshops and outside exercises that facilitate becoming comfortable with camera and editing equipment and with the overall production process. var d = new Date();document.write( d.getFullYear()); Muhlenberg College. Prerequisite(s): ENG 226 - Introduction to Screenwriting or permission of instructor. The college was founded as a seminary in 1848 by the Reverend Samuel K Brobst. This course will also count as an elective in the Media & Communication major and in the new Documentary Storymaking Minor. Attendance at weekly screenings is required.Meets general academic requirement DE. It focuses on films that are often classified as “women’s films” and “social problem films,” but also includes films that could be classified as action films or “men’s melodramas”― and so there will be a lot of discussion about issues of gender and race. The course will also include extensive practice in editing and re-writing, and include weekend trips to local cinemas to review films on short deadlines. FLM 201 Film History I: 1895-1945 An exploration of the international history of film from its invention through the silent era, the rise of Hollywood, and the development of sound to the end of World War II. 12. ENG 263, 264 Postwar British Theatre and Film This course explores what has been called the "second renaissance" of British drama -  "the new drama" of 1956 and after - and the parallel British New Wave of cinema. Muhlenberg College offers bachelor's degrees with an academic focus on a rounded Liberal Arts education as well as pre-professional studies. Special attention will be paid throughout to contemporary developments in film style, evolving cultures of film taste and reception, and film art as cultural expression. Muhlenberg College, Allentown. This course will examine the classic works of the genre within their sociopolitical context and investigate why they were so popular among audiences, why they were able to violate some rules of the Production Code, why certain actors are inextricably linked to the genre, and why neo-noirs are still being made. Meets general academic requirement HU (and W when offered as 264). While the filmmakers under consideration vary, the course deals with similar questions each time: the validity of the auteur theory as a way of understanding film, the relationships between filmmakers and their art, and the nature of our ideas about art and artistic production. Time should permit us to screen some of these films in their entirety during the class meetings. Special emphasis is placed on advanced textual and film analysis, scholarly discussion, and writing. About. Students explore the convergence of video and digital media while studying the problems of constructing narrative and documentary texts within emerging experimental formats. Henry Ernest Muhlenberg (1753–1815), born in Trappe, PA, studied, like his ... (Courtesy of Franklin & Marshall College and the Permanent Collections of the Phillips Museum of Art, Lancaster, PA) Frederick Augustus Conrad Muhlenberg (1750–1801) was born in Trappe, PA and educated there. Hier lernte Montaigne auch Altgriechisch. Attendance at weekly screenings is required. Selected French New Wave and Asian films, The Killing, Coffy, The White Hell of Piz Palu, and The Good, the Bad, and the Ugly, as well as others will also be examined. As a theoretical lens, students will consider the cinematic medium as a vehicle for virtual travel and read accounts of film spectatorship that consider particular travel experiences. Contact. Although the course concentrates on recent, it will also attend to seminal movements in the development of national cinematic traditions, such as the postwar films of Akira Kurosawa and Yasujiro Ozu in Japan and Satyajit Ray in India. Students will learn how to work with cameras, audio-recording equipment, and post-production facilities.Meets general academic requirement AR. About. FLM 380 Pre-Production Plan/DesignStudents will learn the process of film and videomaking from idea stage to the day before shooting begins. Students should start conceptualizing their ideas well in advance of the start of the semester. Tempelhof-Schöneberg (Rights reserved) Issue 2018 (Rights reserved) 4.65. Toward that goal, the course engages students in the production of a regular series of documentary, narrative, and experimental television and film projects that will be realized during a multi-week intensive studio experience. Meets general academic requirement AR. Network. This course explores the phenomenon of film experience within the experience of film’s poetic manipulation of “reality”. NACHRICHTEN TERMINE Thema Mühlen Wissenswertes, Image-Film + Videos. FLM 229 Travel and Cultural Encounters in Film This course looks at narrative and experimental films that thematize the act of travel as a trigger for cultural encounters, which often result in conflicts, power differentials, and individual senses of displacement or disorientation. National cinematic traditions have developed in virtually every corner of the world, making an understanding of film’s relationship to its conditions of production and reception integral to the work of cultural historians, students of politics and communications, philosophers, and sociologists alike. What are the demands of nonfiction editing, and in what ways might these two modes align? Meets general academic requirement HU. Tarantino was largely an autodidact who learned his craft watching films while working in a video store. Thus, film is a vital subject of intellectual inquiry that is useful to a wide range of students, not merely as vocational training for media professionals. This course will focus on the prominence of melodrama in narrative film, particularly popular American film, to reveal the flexibility of what some scholars argue is more than a genre, but is actually one of the dominant modes of filmmaking from its inception. FLM 225 The Western Film This course will examine the Western as the American film genre par excellence. About. Legal and ethical issues involved in media production are considered. COM 346 Exploratory Cinema  Examines the origin and growth of "avant-garde" cinema. Attendance at weekly screenings required.Meets general academic requirement HU. Like Tarantino, we will watch films closely and analyze their themes and structures. If you have trouble accessing resources, see the Off-Campus Access page for help. Students present ongoing work and final projects in either an online or broadcast venue. Network. Javascript is currently not supported, or is disabled by this browser. Filmmakers and films we study will be drawn from a list that includes John Cassavetes (Shadows), Martin Scorsese (Mean Streets), Terence Malick (Badlands), Charles Burnett (Killer of Sheep), Jim Jarmusch (Stranger than Paradise), Joyce Chopra (Smooth Talk), John Sayles (Lianna), Whit Stillman (Last Days of Disco), Steven Soderbergh (sex, lies & videotape), Abel Ferrara (Bad Lieutenant ), David Lynch (Blue Velvet), Sadie Benning (It Wasn’t Love), Gus van Sant (My Own Private Idaho), Julian Schnabel (Basquiat), Kimberley Peirce (Boys Don’t Cry), Larry Clarke (Kids), Hal Hartley (Trust), Michael Cuesta (L.I.E. Founded in 1848, Muhlenberg College is a highly selective, private, four-year liberal arts school located in the beautiful Lehigh Valley of eastern Pennsylvania. COM 467 CUE: Advanced Video ProductionStudents explore the convergence of video and digital media while studying the problems of constructing narrative and documentary texts within emerging experimental formats. Majors & Fields of Study at Muhlenberg College. Muhlenberg has an active film culture both on and off-campus. The course provides students an opportunity to explore how to channel ideas into practice by expanding students' established skills (research, writing, scripting, producing, directing, multi-camera and audio strategies, staging and lighting, postproduction). © Trexler Library has many online resources available through the library website. The film studies program at Muhlenberg offers a rigorous interdisciplinary experience that helps students understand both the technical and expressive components of the cinematic medium and gain practical experience in film production within the framework of a liberal arts education. As the course proceeds chronologically, it briefly demonstrates images of African Americans in mainstream Hollywood films, but focuses primarily on how filmmakers of African descent have sought to respond to mainstream representations and create their own narratives and styles. Students will be exposed to many different forms and genres of film, including classic Hollywood cinema, but also documentary, independent, and experimental film along with the rich traditions of world cinema. FLM 387 Art of Video EditingWhile editing was historically seen as merely a nuts-and-bolts technical pursuit, it has increasingly proven indispensable to the artistic process. Muhlenberg College is a private liberal arts college affiliated to the Evangelical Lutheran Church. See the most popular majors at Muhlenberg College. Screenings will include Happy Together, by acclaimed Chinese filmmaker Wong Kar-Wai, Fire, a lesbian love story by the Indian-Canadian director Deepa Mehta, French filmmaker Céline Sciamma’s coming-of-age tale featuring a gender non-conforming protagonist, Tomboy, and many more. Muhlenburg College. Students will explore the art of editing through hands-on exercises using Adobe Premiere Pro. From other films we will only have time to watch excerpts, and you will probably be required to watch two or three films outside of class—more details regarding out-of-class screenings will follow. FLM 385 Cinema of New EuropeThis course examines films that emerged in the “new Europe” after the fall of the Berlin wall in 1989, in the wake of the expansion of the European Union in the 1990s, and as a consequence of the mixing and mingling of Eastern and Western Europeans, and of immigrants from Asia, Africa, and the Caribbean, which has radically altered the ethnic composition of most European societies, particularly France. Students present ongoing work and final projects in either an online or broadcast venue. Meets general academic requirement DE. Film Studies. Short Term Study Abroad Muhlenberg Integrated Learning Abroad FLM 389 Writing The TV Spec ScriptWriters seeking work in the television industry generally complete a "spec script," a complete script for an episode of a program that already exists. Search. The overlapping Film Studies, Media & Communication, and Documentary Storymaking programs at Muhlenberg have 16 full-time faculty, making us the largest liberal arts film and media programs in the United States – with more extensive offerings than many large universities. Program Director:  Dr. Amy Corbin, Associate Professor of Media & Communication and Film Studies List of Muhlenberg College majors by size and degree. Film Studies; Allentown, United States; Advertisement. The production component of the curriculum gives every student the opportunity for hands-on experience in filmmaking and allows motivated students to pursue additional work in screenwriting, acting and directing, and advanced video production. FLM 382 Global Queer CinemaThis course introduces students to a range of contemporary queer cinema from across the globe as well as key questions in queer film studies. Director of Film Studies Associate Professor of Film Studies and Media & Communication B.A., College of William and Mary M.A., University of California, Berkeley Ph. Meets general academic requirement HU (and W when offered as 239). FLM 202, 204 Film History II: 1950-Present An exploration of the international history of film from the end of the War through important European developments (the French New Wave, Italian Neo-Realism, and New German Cinema) and dramatic changes in production and viewing in the United States (through the Sixties and Seventies) to recent emergence of national and regional cinemas in countries all over the world. Pre-requisite: COM 351, Video Production. Assistant Professor:  Bazaz. The course examines the history and innovation of community television in the United States and overseas. Writers will comment on each other’s work in a workshop setting. Students will both direct and act in this course, but no previous directing or acting experience is required. Open to all students at all levels. The course will attend closely to the variety of decisions that inform the translation of literary works into a different medium with different conventions for a different audience.Meets general academic requirement HU. Multimedia and interdisciplinary projects involving theatre, art, dance, and music will be welcome. We will then trace the emergence of John Osborne and other "Angry Young Men," and the development of a drama overtly engaged with issues of class, gender, and sexuality. Attendance at weekly screenings is required. Required Monday evening screenings. Meets general academic requirement HU (and W when offered as 317). We will begin by examining the cultural and social influences leading up to the "annus mirabilis" of 1956. In addition to screening and exploring some of the best such films produced over the course of 50 years, this course attends closely to the struggle of some of the more successful independent filmmakers (and actors) to maintain their commitment to alternative practices in the face of the seductions of Hollywood, on the one hand, and formal conventions fostered by organizations like the Sundance Film Festival & … Though a close analysis of these films, the student will gain an understanding and appreciation of cinematic techniques as well as the cultural, social and political background which shaped these works. 358. Traces the history of film and video art from the early 1920s to the present focusing on its structural evolution, thematic shifts, coexistence with commercial cinema, and its impact on contemporary media.Meets general academic requirement HU. The course also considers as a sub-theme the “road movie” in American culture and what it says about the relationship of dominant American culture to the land and the indigenous inhabitants. Analytical viewing assignments from each of the genres explored will be required. Gefällt 12.426 Mal. Genres that may be taught include commercials, daytime, primetime (sitcom and drama), and film. FLM 330 New Asian Cinemas  This course will selectively explore the national cinemas of Japan, China, Taiwan, India, and Korea. Projects 1. The cultural encounters depicted include those in colonial Africa, India, and the Americas, as well as post-colonial encounters in new relationship configurations such as migration and tourism. Faculty regularly arrange special screenings, often accompanied by visiting filmmakers. The Paul McHale Collection This collection documents the congressional work of Paul McHale (1950-), U.S. Representative for Pennsylvania's 15th district from 1993-1998. Publications 12. Films are likely to include Billy Liar, The Loneliness of the Long Distance Runner, Alfie, Tom Jones, The Servant, The Knack and How To Get It, and A Hard Day's Night. In addition,no more than 2 courses from any single department or major (other than FLM) can count toward the film … Spearheaded by a group of young directors who also wrote their own screenplays (Truffaut, Godard, Malle, Chabrol, Resnais, among others), this movement gave rise to "Le cinema d’auteur" as an innovative and influential way to produce films. Students will create an online archive of all finished work, and learn about ways to develop and market their own critical voice. Muhlenberg College. Students will write reviews of classic and contemporary films in a variety of lengths and formats, for different intended audiences. Students will develop an understanding of the grammar, vocabulary, and conventions of film and video production, and the factors that shape viewers’ reception.Meets general academic requirement HU. We will also consider how these topics are illus trated throughmelodrama’s aesthetics, such as music, dramatic editing, and symbolic use of setting. A program for Media & Communication and Film Studies majors in Dublin, Ireland, and a Dance program in Arezzo, Italy, are both offered during the spring semester. Stand: 01.07.2010, 07:52 -- Zahl der Neuerwerbungen: 3436 In addition to studying a canon of plays and films, this course will also engage (and contrast) textual, performance-based, and image-based methodologies, and students will be asked to demonstrate proficiency in all three theoretical approaches. This course also surveys new East Asian cinema – for example, Wong Kar-wai’s In the Mood for Love (Hong Kong/China) Hou Hsiao-hsien’s City of Sadness (China), Edward Yang’s Yi Yi (Taiwan), Im Kwon Taek’s Chunhyang, and Takeshi Kitano’s Fireworks (Japan) – and one or two films from India (Mira Nair’s Salaam Bombay and a selected Bollywood extravaganza.) Directors whose work will be screened and discussed will likely include Mathieu Kassovitz (La Haine), Michael Haneke (Caché), Claire Denis (I Can’t Sleep), Wim Wenders (Lisbon Story), Fatih Akin (Edge of Heaven), and Lars von Trier (Zentropa), among others. The course proceeds chronologically from 1915 through the present. 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